Kaitlyn Morison

Manifest is a geometric type family that based on the principles of simplicity, modernity and functionality.

With low-contrast design approach, it performs excellently in any project from print to digital.

It comes in five weights with an extended character set includes 240+ glyphs per typeface, supports Western and some Central European languages.

Probably everyone living in Europe has heard of the (in)famous Route Du Soleil. The Route Du Soleil (Motorway Of The Sun) is a stretch of road from Paris to Lyon (in the south).

It is THE route holiday makers take to reach southern France, so they can get there before everyone else does.

The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery.

Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures.

If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font.

Just one look at it and youll forget your problems! ;-)

Pliego is a textface designed to offer a comfortable continuous reading, with humanist proportions, an even texture, and informal calligraphic details noticeable only at big sizes, that gives it a contemporary feeling.

Pliego has been named after Pliegos de Cordel, the Spanish word for the popular books that were common during the XVI, XVII and XVIII centuries.

These were rough, cheap books that basically consisted in a folded sheet attached to a string, hence the name.

Their content was varied, from popular tales to ballads and songs, but also crimes and mysteries.

They were cheaply made, roughly printed and bound. The name Pliego evokes the idea of a rough look, angular edges, informal taste, but classical look.

More To cover todays needs, Pliego includes five weights with matching italics.

Designed and engineered for continuous reading, the Book, Regular and Medium weights will perform at their best under 14 points.

However, dont be scared to use for headlines and titles: because of its quirky details and calligraphic flavour, Pliegos personality is accentuated when enlarged.

With an extensive Latin character set, Pliego covers a wide amount of Latin-based languages, including Latin Plus encoding and Vietnamese support.

Versica is a handcrafted display font. This font family consists of multiple style fonts that can be used either as authentic individual fonts or can be combined to get cool layered type.

The package is completed with swashes, shadow and serif font. Don't forget to play with stylistic alternates character that featuring the font. You may get a perfect font for any advertise or editorial work issues.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces.

The Diaguita culturedeveloped from 10th century A.D. until 16th century A.D.settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality.

More Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world.

The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines.

Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising.

The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics.

Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages.

This typeface was selected at the Bienal Tipos Latinos 2014.

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects.

Its rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more.

More The awesome thing about this typeface duo is that its so easy to mix up the various font styles and create totally unique, hand-made looking words each time.

Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options.

I'm serious! Just throw a small-caps character in the middle of a word, its really fun to play around with.

Delichia Font is a pairing of a bold connected script that moves in clean, sweeping dramatic gestures and rounded sans typeface.

Inspired by the smell of a bakery, this font is a perfect ingredient to make your design look tasteful.

Delichia Font is great to use for your logotype, restaurant menu, product labels, printable, branding, social media post and text overlay to any background picture.

I have always liked Weeping Willows, they sort of remind me of China. During my years as a tour guide, I spent a lot of time in China and I can tell you that the Chinese love weeping willows - they plant them everywhere! Weeping Willow was created using a Japanese brush pen (bought in China actually).

It comes with double letter ligatures and a bunch of swashes as well.

First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved despite its easy elegance, and sophisticated persona.

Its been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts.

More Walbaum offers the kind of warmth thats missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible.

Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaums original intentions, also incorporating work by the designers son into some of its more extreme display weights pushing the possibilities of Walbaum without compromising on its spirit.

Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms.

Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures.

A user guide is available in PDF format from the gallery view. It gives an overview of the optical sizing available and provides a keyboard guide for the ornaments.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

Just like Grandmas recipe, Recoleta combines a variety of ingredientsfrom various popular 1970s typefacessuch as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor mixed into one single design that features familiar yet fresh, modern flavors.

Its variety of weights provides a range of choices that will help you find the best typographic color for your project.

Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.