Kaitlyn Morison

A modern and funny pack with 4 handmade script and sans fonts that started in the sketchbook and finished in the computer.

Fregata has a unique and beatiful look to be used in many design projects as: cover books, labels, logos & branding, advertisements & product design.

When you get this pack you will receive 4 font files, designed to work as perfect companions or simply as strong standalone typefaces.

Fregata Script Inline: A unique style with a different look thanks to the line that connects the whole typographic system.

More Fregata Sans: Includes 3 handmade fonts variables (Fregata Sans 1, Fregata Sans 2, Fregata Sans 3) with small rounded serifs making it a modern and fun typography.

Fregata is equipped with ligatures and all stylistic alternates, extended character set to support Central and Eastern European as well as Western European Languages.

Thats it! I really hope you enjoy it, and please don't hesitate to send us a message if you have any comments or questions.

Enjoy Fregata!

Plaquette is a collection of retro typefaces ranging from victorian to bauhaus to the sixties.

They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others.

Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft More A vintage typeface with some sweet discretionary ligatures to make your typography exciting.

Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renners original Futura.

Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and labels.

Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.

The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

The combination of two different font styles (script and serif) also performs very well on product packaging.

As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.

We've also included some extras with ready-made words and symbols for more design freedom.

More The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the familys charm.

The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.

Beauty Style is a luxurious font collection that includes a signature script and a sans serif typeface.

Beauty Style scripts come in four weights including 12 alternates and 56 ligatures.

Programming has been added to the scripts for flow and elegance. Use Beauty Style for sophisticated designing. Fonts designed by Cindy Kinash and posters by Corinne Alexandra. See font details below. More SANS FEATURES: All caps letters Condensed Sans OpenType Common ligatures Available in Extended Latin Pro (Standard) or American (US) version.

SCRIPT FEATURES: Signature style OpenType Common ligatures Available in Extended Latin Pro (Standard) or American (US) version.

12 alternates and 56 ligatures Programmed ligature feature for optimization. Every time you type specific pairs, ligatures are programmed to pop up to avoid letter pair collisions.

Programming ligatures gives the script a more elegant and pretty flow. Make sure to turn on the feature in your preferred program that supports ligatures. FREE WORDS FEATURES: 52 free words useful for beauty and sales promoting. Keyword examples include you, sale, and beautiful. Intended use for beauty, fashion, newsletters, websites, magazines, sales, commercials and packaging.

VERSIONS: American and Extended Latin Pro AMERICAN (US) Shorter version 12 alternates and 56 ligatures (scripts only) Common ligatures OpenType Includes the common alphabet, numbers, American symbols and punctuation.

EXTENDED LATIN PRO (Standard) Extended version of the American. 12 alternates and 56 ligatures (scripts only) Common ligatures OpenType Includes characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh.

TIPS: Try the OpenType ligatures by turning on the feature in your preferred program that supports ligatures.

FONT LAYERING- Layer the script over the sans to give a cool retro effect.

There are so many fun and creative possibilities. FONT CONNECTING- Interconnect the sans and script letters together creating TYPE ART. All you need to do is convert the font into an object and have fun! (Watch the upcoming tutorials on the cultivatedmindtype Instagram) SANS- When sans text is small, widen the text tracking for legibility and style variety.

Sans is diverse and can work as tight or loose tracking. Use Beauty and Style for type art, beauty marketing, fashion, apparel, product design, music, websites, promotions and film.

Last tipAlways have fun when creating. This isnt a race. Creating should always be enjoyed. TUTORIALS: For more Beauty Style font tips including font layering, vlogs and tutorials, check out cultivatedmindtype on Instagram.

Dallas Print Shop is a refined display collection of five styles and eight fonts. The fonts are designed to act together. They work great in pairs or even all together yet they can well be used alone. More Dallas Print Shop Sans is a sturdy Sans with soft edges and two weights - Regular and Heavy Dallas Print Shop Serif is a sturdy Serif with straight forms and just slightly rounded corners.

Serif has three weights: Regular, Heavy and Inline which is same as Heavy but with ornate inlines.

Dallas Print Shop Brush is a Brush Script with soft and bold classic script forms.

Brush is equipped with Standard Ligatures and Stylistic Alternates. Dallas Print Shop Pen is a flashy Monoline Script with a clear character. Pen is equipped with Contextual and Swash Alternates. Dallas Print Shop Script is a curly upright Script with a feminine character. Script is equipped with Standard Ligatures and Swash Alternates. Enjoy!

Fortune Script This modern calligraphy script has been attentively written, with gentle curves to produce a font thats completely distinctive and original.

It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Perfect for adding a elegant and unique touch to your lettering projects and branding Also with their help, you can create a Wedding lettering or beautiful frame for your home.

Or just use for your small business, book covers, stationery, marketing, magazines and more.

Green Fairy is a chromatic font family highly ornamented for display purposes. Green Fairys characters have been specifically designed to accommodate its loops and ornaments following a modern typeface structure.

Green Fairy has four chromatic weights: 1. Green Fairy Outline 2. Green Fairy Dots 3. Green Fairy Stencil 4. Green Fairy Full The outline weight has been created as the base or structure for the other weights.

You can combine these weights as well as add colours to obtain multiple effects and type styles.

More Green Fairy has also three combined weights (combos) to simplify your work flow, for these occasions when you only want to use one single colour in your font: 5.

Green Fairy Dots Combo 6. Green Fairy Stencil Combo 7. Green Fairy Full Combo GREEN FAIRY ORIGINS The origin of this typeface is the lettering I designed in October 2015 as part of my illustrated cocktail artwork called Absinthe.

La Fée Verte (The Green Fairy). Originally, this lettering only featured eight letters AB·SINTHE vector drawn in Illustrator. Right after creating the full-colour artwork, I designed a fountain-letterpress print version of it, in collaboration with Ladies of Letters, A.

K.A. Carla Hackett and Amy Constable from Saint Gertrude Fine Printing. At the beginning of 2016 and thanks to the project @36daysoftype I found the motivation, and most importantly the deadline, to draw the rest of the twenty-six letters of the uppercase alphabet using Illustrator.

I started 2017 having my first two calligraphy courses sold out, so I took this amazing opportunity to devote myself to Green Fairy for a few months.

In February 2017, I purchased the font software Glyphs and I started to re-draw all twenty-six letters of the uppercase alphabet again.

PRODUCTION PROCESS Green Fairy started being one weight, but quickly turned into a layered/chromatic font.

Things were going more or less fine till I arrived to the Dots weight: 1) I started drawing squares following a grid; 2) Then, the squares turned into diamonds following the same grid; 3) Then, the grid wasnt working so well on the round letters so I tried randomising the position of the diamonds but it didnt work; 4) So I went back to the grid, and this time scaled down the size of the diamonds creating a visual half-tone effect.

I spent over four weeks working on the Dots weight and I felt like I was in the middle of a very long tunnel and I couldnt see the light at the end.

I encountered many other problems along the way but by June 2017, I felt I was back on track again.

I kept working, tweaking, re-drawing and re-adjusting, and then the diacritics came on board And then more re-drawing, re-tweaking, re-adjusting and then numbers And then spacing, symbols, and currencies And then more spacing, kerning, contextual kerning for triplets In September 2017 I told myself thats it, Im going to finish it now! But guess what? More re-tweaking, testing, hinting, testing, rendering, testing For those of you not familiarized with typeface design, it is extremely time consuming and it requires a lot of hard work, focus and determination.

This project could not have been possible without the help of these generous professionals: Jose Manuel Urós, typeface designer based in Barcelona and my teacher twice in the past; Jamie Clarke, freelance letterer and typeface designer who has released a couple of chromatic fonts recently; Troy Leinster, Australian full-time typeface designer living and working in New York City; Noe Blanco, full-time typeface designer and hinting specialist based in Catalonia; And Nicole Phillips, typographer currently relocating from Australia to New Zealand.

To all of you: THANK YOU VERY MUCH!