Kaitlyn Morison

Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold.

Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks.

These are actually quite large; theyll always be noticed, even in small sizes.

Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered.

The Qs tail has been simplified into a short, vertical stroke. The strokes on both the S and the s terminate in vertical cuts, instead of having horizontal or diagonal terminals.

The lowercase k and t each have traits that come from our alphabets handwritten origins.

These details give text set in Neptune a different feeling from other geometric sans serifs.

Neptune is an excellent choice for both corporate design and editorial design projects, both because of its range of weights as well as its legibility in text.

Giulia is a sweet type family consisting of 12 Fonts. It was created by Hannes von Döhren and published by HvD Fonts. Besides a fancy curly version there is a second version with a more straight architecture, still owning the same soft and friendly character.

Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts.

This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.

Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These two extended width families have been added to the original condensed width family to be used for titling where style and raw energy matter more than pixel or paper economy.

Still keeping the original design of Heading, with a (post) modernist attention to readability and detail, the wide sizes allow you to write strong headlines and play with sub-headings and short text blocks.

Matching italics can provide you with versatility in text use as well as a viable display alternate for bolder weights, with a strong sport/energy feel.

More Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.

Big modern sans-serif family, for multiple use.

HEADING PRO ULTRA COMPRESSED is a variant of the original HEADING PRO typeface designed by Francesco Canovaro for Zetafonts.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using latin, cyrillic and greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

More The full Heading Pro Super Family includes, Heading Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 FONTS built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.

Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters.

The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s.

In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, thats why we gave birth to this project.

More Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more Perfectly suited for graphic design and any display/text use.

The 36 fonts are the first part of a larger Salvatore family. Were proud to introduce: Salvatore.

Rigrok is a 14 style semi serif designed by Stew Deane. The design of the typeface was intended to create a premium feel that is suitable for the widest range of tasks, while still maintaining a unique sense of character.

Stew designed Rigrok to draw on his graphic design experience to create a typeface that is suitable for many a design or branding job.

The result is an easy to use, versatile typeface that charms with personality and character.

This extensive 60-font type family was inspired by the best (and worst) of 1970s science fiction TV shows and movies.

Verbatim aims to extract the essence of futuristic type from that era, add a dash of modern style and conjure a cinematic typeface for the 21st century.

From the extremes of the thin condensed, all the way through to the black extended, Verbatim has the scope to add drama to your titles and headings, and finesse to your logo and branding projects.

Distinguishing features include a large x-height and open counters that aid legibility.

This typeface crosses a few boundaries of type specification in that it is both rounded and square, it is part geometric in construction with a touch of humanistic flair and stroke contrast giving Verbatim a distinctive and confident air.

More Key features: 6 weights in Roman and Oblique 5 Styles Condensed, Narrow, Regular, Wide, Extended Small Caps and 7 Alternates European Language Support (Latin) 600 glyphs per font.

See more detailed examples at the Verbatim microsite.

The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.

Heading Pro Medium, Heading Pro Double and Heading Pro Treble are three variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These three medium width families have been added to the original condensed width family to be used in any case where you have to complement the space optimizing qualities of Heading Pro with some standard-proportioned text.

More The range of widths of the Heading Medium collection extends into the Double and Treble widths, each coming in an ample range of weights with matching italics and a wide array of open type features that allow you to design text blocks with a fine grain control on appearance.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.