Kaitlyn Morison

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Eine erfrischend klare Antiqua Schnebel Slab ist eine erfrischend klare und starke Interpretation einer zeitgemäßen Antiqua mit wenig Kontrast und kräftigen Serifen, die neben einer hervorragenden Lesbarkeit in kleinen Graden auch den notwendigen Ausdruck vermittelt, wenn sie als Headline verwendet wird.

Die speziell dazu gezeichneten Italic-Schnitte ergänzen ein harmonisches Gesamtbild, das durch seine Ästhetik nie an Spannung verliert.

Der sorgfältige Ausbau mit Ligaturen und Kapitälchen, Proportional- und Mediäval-Ziffern bietet alle Möglichkeiten für einen gepflegten Satz und die große Anzahl von je 6 Fettegraden lässt dem Gestaltungspiel Raum für unterschiedliche Kombinationen.

Dazu tragen auch die zusätzlichen Condensed und Expanded-Varianten bei, von denen jede für sich spezielle Eigenschaften hat und ihre je eigene Anmutung entfaltet.

More Schnebel Slab Pro ist die neueste Veröffentlichung der URW Type Foundry.

Die komplette Familie ist bis zum 10. Juli 2018 im Einführungsangebot mit 50% Rabatt auf das Volume und alle Einzelschnitte. Sie lässt sich besonders gut kombinieren mit der Schnebel Sans Pro. _______ The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines.

The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics.

The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting.

The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations.

Schnebel Slab Pro is the latest publication by URW Type Foundry. The complete family is available with a 50% introductory off until July 10th, 2018. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

DoubleBass is a jazzy four-weights display family inspired by the film title design of Saul Bass.

The font provides an out-of-the-box tool for cartoon modern style logo and heading design.

The alternating sets of capital letters and numbers make sure that a bouncy rhythm is kept - by virtue of open type ligature substitution - while you type away.

Lighter weights can work for small blocks of text, while the regular and heavy weights show their best in big sizes and display uses.

Foreign languages using latin alphabet are covered, as well as Russian cyrillic.

Morandi is the first commercial sans serif font created by Jovica Veljovi a much-awarded designer whos been creating typefaces for over thirty years.

The product of years of crafting letterforms, Morandi is supremely graceful. Each detail has been carefully refined for legibility, with open counters and generous apertures, and the bottom of round strokes slightly flattened.

Not just elegant in appearance, Morandi is an efficient design, versatile enough to work in print and digital environments, including on-screen applications.

The family offers three weight ranges and includes a large multi-national character set making it a practical choice, as well as an aesthetic one.