Showing posts with label business. Show all posts
Showing posts with label business. Show all posts

Download Nominee Fonts by TypeUnion

Download Nominee Fonts by TypeUnion
Download Nominee Fonts by TypeUnion Download Nominee Fonts by TypeUnion Download Nominee Fonts by TypeUnion



Nominee is a cinematic font family made up of 11 weights, 3 widths, and matching italics, that equates to a substantial 66 font styles that feel individually crafted but also part of a larger structured system.

The versatile font styles range from an elegant Hairline to a dominant Heavy, Condensed to Extended, which creates such an extensive range of uses and applications, from web and apps to editorial and branding, and everything in between.

The increased x-height gives the font more readability at smaller sizes and the contemporary shapes mean the font likes to be shown off at large sizes.

More The font features details such as case sensitive characters, numerators and denominators, and support for Central and Eastern European along with Western European languages and Basic Cyrillic.



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Download Squalo Fonts by Letritas

Download Squalo Fonts by Letritas
Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas Download Squalo Fonts by Letritas



Squalo, the genesis The idea of this project called Squalo popped into my mind while I was working with excitement on some sketches.

I was chasing after a strong typographical character, something that for me has to be crystallized in form which is always legible and functional.

The concept More The concept of Squalo arises from the observation of an athletes body: you notice that even if most are lean, they are also strong, cut and chiselled.

The sport they play molds and modify their bodies. Just think, for instance, on a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strength and speed like in a squalo (shark in italian).

Not as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you will notice that the width of the typeface is slightly more condensed than that of a standard sans serif.

We designed Squalo this way specifically to assist and strengthen your concepts through stylized typography.

We designed the joins and terminals (tip ends) of the characters A, V, W, Z, v, w, z, to create a feeling of tension, reinforcing the concept of shark, danger, caution, as well explicit, intentional movement.

Pure strength. We wanted to recall the exact moment of the start of the 100 meters race: when the sprinter initially spreads all of his powerful energy.

The italic version, starting with the former two typographical concepts of width and tension, emphasizes them.

First of all, we compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

All 18 fonts include small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend for use in marketing campaigns, design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporate projects, web texts, and graphic design in motion.

Squalo supports the following languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni


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Download Heading Pro Extended Fonts by Zetafonts

Download Heading Pro Extended Fonts by Zetafonts
Download Heading Pro Extended Fonts by Zetafonts Download Heading Pro Extended Fonts by Zetafonts Download Heading Pro Extended Fonts by Zetafonts



Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These two extended width families have been added to the original condensed width family to be used for titling where style and raw energy matter more than pixel or paper economy.

Still keeping the original design of Heading, with a (post) modernist attention to readability and detail, the wide sizes allow you to write strong headlines and play with sub-headings and short text blocks.

Matching italics can provide you with versatility in text use as well as a viable display alternate for bolder weights, with a strong sport/energy feel.

More Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.



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Download TEMPER Wide Fonts by OGJ Type Design

Download TEMPER Wide Fonts by OGJ Type Design
Download TEMPER Wide Fonts by OGJ Type Design Download TEMPER Wide Fonts by OGJ Type Design Download TEMPER Wide Fonts by OGJ Type Design



Temper Wide was designed in 2018 by type designer Jeschke in Berlin. The font consists of many cuts from light to bold and is formally based on its predecessor, Sequel 100.

A characteristic feature of the Temper Wide is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R.

More Unlike other slab faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility.

Temper Wide supports up to 74 languages. Graphics by Sagara Hirsch, Zurich.


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Download Heading Pro Ultra Compressed Fonts by Zetafonts

Download Heading Pro Ultra Compressed Fonts by Zetafonts
Download Heading Pro Ultra Compressed Fonts by Zetafonts Download Heading Pro Ultra Compressed Fonts by Zetafonts Download Heading Pro Ultra Compressed Fonts by Zetafonts



HEADING PRO ULTRA COMPRESSED is a variant of the original HEADING PRO typeface designed by Francesco Canovaro for Zetafonts.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using latin, cyrillic and greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

More The full Heading Pro Super Family includes, Heading Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 FONTS built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.



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Download Codec Fonts by Zetafonts

Download Codec Fonts by Zetafonts
Download Codec Fonts by Zetafonts Download Codec Fonts by Zetafonts Download Codec Fonts by Zetafonts



Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.



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Download Salvatore Fonts by W Foundry

Download Salvatore Fonts by W Foundry
Download Salvatore Fonts by W Foundry Download Salvatore Fonts by W Foundry Download Salvatore Fonts by W Foundry



Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters.

The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s.

In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, thats why we gave birth to this project.

More Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more Perfectly suited for graphic design and any display/text use.

The 36 fonts are the first part of a larger Salvatore family. Were proud to introduce: Salvatore.


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Download Heading Pro Text Fonts by Zetafonts

Download Heading Pro Text Fonts by Zetafonts
Download Heading Pro Text Fonts by Zetafonts Download Heading Pro Text Fonts by Zetafonts Download Heading Pro Text Fonts by Zetafonts



Heading Pro Medium, Heading Pro Double and Heading Pro Treble are three variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts.

These three medium width families have been added to the original condensed width family to be used in any case where you have to complement the space optimizing qualities of Heading Pro with some standard-proportioned text.

More The range of widths of the Heading Medium collection extends into the Double and Treble widths, each coming in an ample range of weights with matching italics and a wide array of open type features that allow you to design text blocks with a fine grain control on appearance.

Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using Latin, Cyrillic and Greek alphabets.

A full array of open-type features is included in each weight including stylistic alternates, small caps, old-style and tabular numerals and positional figures.

The full Heading Pro Super Family includes Heading Pro Ultra Compressed, Heading Pro, Heading Pro Text and Heading Pro Extended for a grand total of 146 fonts built around 8 different widths from ultra-compressed to ultra-wide and 9 weights from thin to black, providing a wide spectrum of sans serif type solutions to your design problems.



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