Kaitlyn Morison

Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.

Inspired by the elegance of Herman Zapfs designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice.

The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing.

A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out.

More It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Calps Sans is a variant of the original Calps typeface. Import to be more corporate, Calps Sans family use flat corners instead of rounded corners (Calps).

Calps Sans is a prominent, eye-catching and unique typeface. It comes with 9 weights and Slim version in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

The first glyphs of Nougat Script were born in 2010 to honor the birth of my first chubby and charming daughter, Siena.

The ongoing project with significant progress was presented at Tipos Latinos, the biennal of Latin America typography where Nougat Script was selected among 70 of the best fonts.

After a long pause, the project had a powerful restart at the begining of 2018.

In those days, it not only grew in number of signs but in complexity of behavior.

There are 4 different types of writing within the same font file accesible via opentype features: Script (base or normal), two glyphic alternatives with well differentiated swashes and finally a small cap version.

Nougat Script has a fresh and relaxed lettering attitude combined with the typographic harshness for elegant text compositions.

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content.

It is particularly suitable for projects that demand simplicity and space economy.

Details include four weights with matching italics, 447 characters and the Opentype features.

Electrica is a contemporary monospaced typeface family; a tribute to classic typewriters, while designed for todays needs and media.

In spite of taking inspirations from several typefaces used in typewriters (most notably the IBM Selectric), Electrica is far from a revival: its a typeface on its own, winking to the past while standing its ground confidently in a contemporary environment.

Gentlemens Script is a dynamic hand-written script in which the sharpness and speed of writing harmoniously coexist with elegance and a serious attitude.

The script allows you to simulate fast inscriptions made by hand while keeping them elegant and classy.

Working on the project, we wanted to develop a script that would harmoniously complement serifs or traditional sans-serifs and perfectly match them.

Gentlemens Script is like an accessory in a gentlemans wardrobe. It dilutes font traditions and adds brightness and dynamics to them. More Despite the fact that the script was designed to be used as a complementary font, it has all the prerequisites to become the main character of your design story.

It does not matter how you use itGentlemens Script easily adapts to reality and always works at the maximum level of efficiency.

To make the script more harmonious and natural, we have drawn more than 60 ligatures.

In order for the ligatures to be substituted automatically, we recommend always keeping the standard ligatures OpenType feature turned on! In addition, there are several alternative characters in the font that are programmed on the OpenType feature contextual alternates and which are used when the letter meets the service characters.

To use the script to its maximum power, we recommend that you always keep the standard ligatures and contextual alternates OpenType features turned on.

If you do not have access to applications that support OpenType features, it does not mattereven without these features you can use and enjoy our font!

Probably everyone living in Europe has heard of the (in)famous Route Du Soleil. The Route Du Soleil (Motorway Of The Sun) is a stretch of road from Paris to Lyon (in the south).

It is THE route holiday makers take to reach southern France, so they can get there before everyone else does.

The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery.

Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures.

If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font.

Just one look at it and youll forget your problems! ;-)

Everything will look great in a Minute! In this Minute. Hell, yes!

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.

The idea behind Obvias design was to create a distancing from geometrically pure shapes, in this case, square shapes.

Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a geohumanist tone to the font.

More This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces.

The Diaguita culturedeveloped from 10th century A.D. until 16th century A.D.settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality.

More Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world.

The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines.

Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising.

The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics.

Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages.

This typeface was selected at the Bienal Tipos Latinos 2014.

Blautha versatile and contemporary sans serif typefacecomes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters.

Its small x-height gives it an elegant feel that reminds us of classic typefaces.

Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Query was born out of that lineage of experimentation and developing a voice within type. I wanted this typeface to have a strong personality but also give room for legibility.

The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.

My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.

A college compared it to a modern Trade Gothic, which I never envisioned, but feel it is an accurate observation.

More As I continued to refine the work, I made sure that the personality, tone and voice was still there but also refining it so that when used, it was legible but still unique to anything I have seen.

I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use and style.

Query is as fun to use as it is to look at.