Kaitlyn Morison

Inspired by the elegance of Herman Zapfs designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice.

The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing.

A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out.

More It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Manofa is a calligraphic sans-serif typeface. It is inspired by Warren Chappells Lydian and originated from the experiments with the shape and form of the letter O.

The result is a contemporary, sharp and sculptural display. Details include four weights, matching italics, two widths, alternative characters and the OpenType features.

Traction was originally conceived and designed by Swiss astronomer Christian Thalmann. Schriftlabor designers Chiara Mattersdorfer and Miriam Surányi expanded, completed and produced the font family.

This typeface sports signature serifs, soft edges and a fluid, organic design.

Enlarged, the organic letters are reminiscent of the profiles of ­off-road tyres and hiking boots.

In text sizes, it is the humanistic forms that set the tone to ensure fluid legibility.

Totalling at 18 styles in nine weights, all fonts come with small capitals and all possible numerical variations.